First experiments: scaling up the kumihimo disc

In the first year of our research during the autumn of 2021, we investigated kumihimo braiding as a tool for collaborative making. At first, one researcher studied the traditional technique via online tutorials and books. During a second phase, she shared her knowledge with the other team members during a hands-on introduction.

Instead of using the existing small rubber hobbyist version of the disk, we’ve created our own tools with the laser cutter. Although they were already bigger, it was still possible to handle them individually. Moreover, they allowed us to work with deadstock ropes – sized 5 to 8 millimeters – from our suppliers.

Testing the upscaled version

Afterwards, we scaled up the kumihimo disk to a diameter of 60 cm, provoking the need to manipulate the disk by more than one person. As for the upscaled round kumihimo disk, we have both tried a wooden disk with slots – which is like the Japanese disk using strands with knitting weight clips on – and a foam cardboard version where the strands are clipped in, looking like an upscaled version of the small hobbyist disk.

Both disks can be worked by two to four people and were easy to use. The wooden disk with the weights and slots allows more fluid movements, and allows more variation in material, from ropes to tapes. A disadvantage is that it is somehow slower in setting up and that it tends to entangle the strand easier than with clipping-on the strands.

Not only the disks were upscaled, so was the material. We examined the potential in shape by using tapes and thick ropes, by exploring closed and hollow braids. The latter ones we filled up with irregular shapes, noticing how the technique kind of swallowed the shape following its contours. We conclude that upscaled round kumihimo disks hold the potential for dynamic collective making whilst holding inspiring design potential. Moreover, upscaling enhances the readability of the technique, which leads to faster insight.

Reaching out to other disciplines

Another observed aspect of the upscaled collective braiding session was if the technique was easy to understand for textile nitwits. Two of our members comply with this requirement. While giving a seemingly complex looking output, the kumihimo braiding movements subject to our investigation are simple and repetitive sequences. The most notable fact in the upscaled collaborative braiding session, were the agreements made amongst the makers, to arrange for a fast and fluid making process. Before finding the best method, a few different ways were tested and discussed. We conclude that the best method is the one which is enjoyed most by its future makers.